1/17/2024 0 Comments Sony full frame zoom![]() ![]() The f/2.8 aperture enables fast shutter speeds under dull lighting conditions, so stabilization is less of a ‘must have’ feature. Given that Sigma and Tamron have built effective image stabilizers in their latest 24-70mm f/2.8 lenses, it’s disappointing that this Canon lacks stabilization. Fluorine coatings are applied to the front and rear elements to repel moisture and grease, and to enable easier cleaning. The Mark II is more robust and sturdy than the original, and is weather-sealed. The aperture is also more well-rounded for enhanced bokeh when stopping down, based on nine rather than eight blades. The upgraded optical design features three aspherical elements which aim for greater sharpness along with a reduction in distortions, colour fringing and colour blur. This Mark II is the result of a major revamp and hit the market 10 years later. That said, we’d still like to see up updated version of the lens for use with Canon’s latest top-end APS-C format cameras like the 90D.Ĭanon EF-S 17-55mm f/2.8 IS USM full reviewĭesigned for the most demanding enthusiast and pro photographers, the original edition of this lens was launched back in 2002. All in all, this lens really does prove than ‘new’ doesn’t necessarily mean ‘improved’. Sharpness is noticeably better than from any other APS-C format lens in Canon’s current catalogue, while colour fringing and distortions are better controlled and bokeh is better. The ring-type ultrasonic autofocus system is fast and accurate, complete with the usual full-time manual override. ![]() However, it still lacks weather-seals and you need to buy the hood separately. Canon has never made an L-series lens for APS-C format cameras but this one comes the closest. Inside, the relatively old-generation image stabilizer only gives a 3-stop benefit. With its gold ‘ultrasonic’ ring around the front, the lens has styling from a somewhat bygone era. Even so, at 645g it’s still 160g lighter than the equivalent EF 24-70mm f/2.8 for full-frame SLRs. Although the relatively fast, constant-aperture design is a bonus, the downside is that this is big and heavy for an APS-C format standard zoom. Its starring attraction is a fast f/2.8 aperture rating that remains constant throughout the entire zoom range. The closest thing that Canon has ever made to a pro-grade APS-C format lens, this one was originally launched back in 2006. All in all, image quality is spectacular.Ĭanon RF 24-70mm f/2.8L IS USM full review Colour fringing is reduced at short to medium zoom settings, as is barrel distortion at the short end. It easily beats the EF 24-70mm f/2.8 in this respect, as well as giving a noticeable improvement in corner sharpness. Optical performance is superb, with stunning centre sharpness throughout the entire zoom range, even when shooting wide-open. Furthermore, the minimum focus distance is impressively short at the minimum focal length, shrinking to just 0.21m. As well as the ‘de-click’ option for the control ring, another bonus for serious videographers is that there’s virtually no focus breathing (a small change in focal length when adjusting the focus position). ![]() Handling is enhanced by a customizable control ring, there’s super-fast Nano USM autofocus and 5-stop image stabilization. The optical path includes no less than three moulded aspherical elements and three UD elements, plus Air Sphere Coating. It’s not just the build that’s big, as the asking price is far higher than for Canon’s pro-grade zoom for SLRs and almost 2.5x that of the RF 24-105mm.īuild quality is first class and comes complete with a full set of weather-seals plus the now usual fluorine coating on the front and rear elements. The best standard zoom lensesĪ bit bigger and weightier than the EF 24-70mm f/2.8 for Canon DSLR cameras, this RF mount lens for full-frame mirrorless Canons weighs in at 900g, and its 89x126mm dimensions dwarf an EOS R or RP body. ![]() We've picked out the best standard zooms for Canon, Nikon, Sony, Fujifilm, Olympus and Panasonic system cameras, and divided the guide up into sections to make it easier to navigate. While this does generally mean carting around a bigger lens without a retractable design, the results are worth it in terms of sheer image quality. Upgrading to a better class of standard zoom lens means you get more robust build quality, and better overall performance thanks to superior internal optics. This often means a plastic mounting plate, a lack of advanced features like weather seals, and fairly slow maximum aperture ratings. The kit zooms that come with most mirrorless cameras and DSLRs, while decent enough, tend to be made with a focus on affordability. What are the best camera lenses to buy?. ![]()
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